许雪芳

舞奈 

名字 ：许雪芳 

鉴赏项目：中国古典舞 

语录：一舞一相逢，一叶一追寻

 

古典舞介绍

Introduction of Chinese Classical Dance

    中国古典舞是建立在民族民间传统舞蹈的基础上，经过历代提炼、加工、整理、创造、并经过较长时间的检验，是结合各个地区、国家及民族典范意义和独特风格的传统舞蹈。中国古典舞是具有地区、国家及民族舞蹈的代表性、传统性和典范性。这是因为它在形成的过程中、吸取了本地地区、国家、民族诸多的艺术因素，如民间舞蹈、手语、武术杂技和古代壁画、雕塑中的舞蹈造型。此外，中国古典舞也受到了一些风俗礼仪、传统审美甚至哲学思想的影响而产生了变化。这是因为古典舞并非一尘不变，它会随着社会的发展和审美趣味的变化而发展与变化。

       Chinese classical dance is based on traditional folk dances. It has been refined, processed, sorted, created, and tested over a long period of time. It is a traditional dance that combines the model significance and unique style of each region, country or nation. Chinese classical dance is representative, traditional and exemplary of regional, tradition or national dance. This is because in the process of its formation, it has absorbed many artistic factors of local regions, countries, and nationalities, such as folk dance, sign language, martial arts acrobatics, ancient murals, and sculptures.

  In addition, Chinese classical dance has also received some customs and etiquette, traditional aesthetics and even philosophical thoughts as well as which have undergone changes. This is because classical dance is not immutable, it will develop and change with the development of society and changes in aesthetic tastes.

鉴赏与心得 （Appreciation）

《归去来兮》《Coming Home》

    《归去来兮》的表演动作中需通过表演者的舞蹈动作和情感来表现作者内心的情感。此外，表演者需要对舞蹈动作和面部的情感表达进行结合，相互填充，这样可以让观众更加了解角色的形象特征，使舞蹈剧情能更好地发展下去，从而也体现了这部作品的思想内涵与情感主题。一开始，表演者就以忧伤的情绪入主，脚是“后擦地”，右手手型是“兰花手”，右手向上缓慢提腕，令人感受到不舍又无奈的哀伤情绪，这动作属于抒情性动作，即通过舞蹈来表达出男主内心中被回忆勾勒的情绪，包含了既不舍又忘不了的情怀。整段表演主要表现男主内心的情感，繁华皓月，却独自一人对着月亮诉说心事，动作从平静、缓慢开始，随着乐曲的深入，舞蹈动作的力量也随之增加以此来表达宣泄的情绪。整段表演刚柔结合、动静相宜的美感令人感受极深。

    在练习的过程中我面对到的最大问题是要做到时而刚时而柔。虽然我并没有做到完美与标准的舞蹈动作，但是表演的过程中，我深深地体会到了中国古典舞的美及优雅。从前的我非常喜欢现代舞，但接触了中国古典舞后，我深深地被吸引了。尽管练习的过程再辛苦，我认为一切都是值得的。此外，在表演过程中必须确保舞蹈的动作是正确的，若在录制的过程中出现一个动作的错误就需要重新录制以呈现出好的表演。我非常感谢我的家人朋友给予的支持与帮助，尤其是在我需要录制的时候抽空来帮忙。

最后，我想谢谢我的指导导师——符爱萍博士引导我们进行这一次的表演让我们不断地突破自己并对中华艺术有更深的了解。

The performance of "Coming Home" needs to express the author's inner emotions through the dance moves and emotions of the performer. In addition, performers need to combine dance movements and facial emotional expressions, and fill each other, so that the audience can better understand the image characteristics of the characters and the dance story can be better developed. At the beginning of the performance, the performer entered the master with a sad mood. The feet are "back rubbing the ground", the right hand is the "orchid hand", and the right hand slowly lifts the wrist upwards, which makes people feel the sadness of reluctance and helplessness. This action is a lyrical action that expresses the emotions outlined by memories in the male protagonist's heart through dance and contains feelings that are both reluctant and unforgettable. The whole performance mainly expresses the inner emotions of the male protagonist. The prosperous and bright moon, but the male still alone and only can tell his thoughts to the moon. The performance movements start from calm and slow. With the deepening of the music, the power of the dance moves increases with powerful to express catharsis. mood. The beauty of the whole performance is very deep which is combining rigidity and softness.

In the process of performing exercises, being rigid and sometimes soft is the biggest problem that I was facing. For acting, I feel that I have not achieved the most perfect and standard. But during the performance, I deeply realized the beauty and elegance of Chinese classical dance. Before this, I very like modern dance so much, but after being exposed to Chinese classical dance, I was deeply attracted. No matter how hard the practice process is, I don't regret it and think everything is worth it. In addition, you must ensure that the dance moves are correct during the performance. If an action error occurs during the recording process, it needs to be re-recorded to present a good performance. I am very grateful to my family and friends for their support and help, especially when I need time to record.

Last but not least, I would like to thank my lecturer, Dr. Foo Ai Peng for guiding us through this performance, allowing us to continuously break through ourselves and have a deeper understanding of Chinese art.