姚蔚敏

 笔尖下的书法

名字：姚蔚敏

鉴赏项目：书法（楷书）

语录:一点成一字之规，一字乃终篇之准

 

书法的介绍（Introduction of Calligraphy）

书法是中国特有的一种传统文化及艺术。从广义讲，书法是指语言符号的书写法则。换言之，书法是指按照文字特点及其涵义，以其书体笔法、结构和章法写字，使之成为富有美感的艺术作品，常见的书法字体有隶书、楷书、草书和行书。书法的主要工具有毛笔、墨汁、宣纸和砚。书法除了是书法家用以创作的主要表现和作品形式，也是一种研究书写者心理与性格的工具。他们经过多年的勤学苦练，形成了不同的风格和流派。

Calligraphy is a traditional culture and art unique to China. In a broad sense, calligraphy refers to the rules of writing linguistic symbols. In other words, calligraphy is the art of writing in accordance with the characteristics of words and their meanings, with their stylistic strokes, structures, and chapters, making them aesthetically pleasing works of art. The common calligraphic scripts are Official Script, Regular Script, Cursive Script and Running Script. The main tools of calligraphy are the brush, ink, rice paper and ink stone. As well as being the main form of expression and work used by calligraphers to create, calligraphy is also a tool for studying the psychology and character of the writer. Through years of diligent study and practice, they have developed different styles and schools.

鉴赏与心得（Appreciation）

         这份课业让我获益良多。不同的书法家都有着个人独特的风格与流派。由于我个人非常喜欢欧阳询的书写风格，因此我从他的众多篇字帖里选择了两篇进行临摹。分别是临摹欧阳询的《般若波罗蜜多心经》和《兰亭记》。欧阳询被称之为“楷书四大家”之一，他善于学习古人，又能融会贯通书法的精髓并且自出新意，最终形成了法度森严、结构险峻、笔力劲健、端庄严谨的艺术风格。后人称其楷书为“欧体”。唐代书论家张怀瓘《书断》说欧阳询“八体尽能，笔力险劲，篆体尤精，飞白冠绝，峻于古人”，“草书迭荡流通，视之二王，可为动色”。在写《般若波罗蜜多心经》的时候，我选择以小楷的形式来书写。其字体严谨，中锋落笔且转折有力。而写《兰亭记》的时候则以中楷的形式来书写，其笔画挺秀劲遒，气势高雅雄浑和结体险绝严谨。我觉得临摹书法是一项很好的活动，不仅能让人陶冶性情，也能培养个人专注力和观察力。除此以外，临摹可让人领略意蕴悠久的中华文化及艺术，并在一笔一划临摹过程中习得一手好字。

I have got a lot of benefits from this coursework. Different calligraphers have their own unique styles and genres. As I personally like the writing style of Ouyang Xun, I have chosen two of his numerous calligraphic posters to copy. These are a copy of Ouyang Xun's 'Heart Sutra of Prajna Paramita' and 'The Lanting Records'. Ouyang Xun is known as one of the "Four Great Masters of Regular Script". He was good at learning from the ancients but was able to integrate the essence of calligraphy and come up with new ideas, eventually forming an artistic style that is rigorous in law, dangerous in structure, strong in strokes, and dignified. His regular script was called the "Ou Style" by later generations. The Tang dynasty calligrapher Zhang Hui Guan, in his "Book of Writings", says that Ouyang Xun was "capable of all eight styles, with a sinister and vigorous brushwork, especially in the seal script, which was superior to that of the ancients", and that "the cursive script was so fluid and circulating that it could be compared to that of Erwang. When I wrote the Heart Sutra, I chose to write it in the form of a small regular script. The script is rigorous, with a strong turn of phrase in the centre. In the case of the Lanting Jie, I chose to write it in the medium script form, which is characterized by strong, elegant strokes, elegant and majestic strokes, as well as a rigorous ending. I think that copying calligraphy is a good activity, not only to cultivate one's temperament, but also to develop one's powers of concentration and observation. In addition to this, copying allows one to appreciate the long history of Chinese culture and art, and to acquire good calligraphy in the process of copying one stroke at a time.