谢雯雯

 书墨飘香，浸染芬芳

名字：谢雯雯

鉴赏项目：书法（楷书）

语录：书墨飘香，浸染芬芳 

 

书法的介绍（Introduction of Calligraphy）

         书法是通过文字书写来表现思想感情和审美趣味的艺术，文字是载体，它的点画和结体可以根据所承载内容的要求自由变化。在这么多种书法种，我所选择的是楷书。楷书，汉字的一种字体，也叫楷体、正楷、真书、正书。由隶书演变而来。中国的书法艺术经过两汉、三国、魏晋南北朝时期，呈现出前所未有的辉煌盛世。唐朝时期，书法出现了很多流派，并对后世产生了很大影响。书法的主要工具有笔、墨、纸和砚。

        Calligraphy is the art of expressing thoughts, feelings and aesthetic taste through writing. The writing is the carrier, and its stippling and structure can be freely changed according to the requirements of the content it carries. Regular script, a type of Chinese character, is also called regular script, block script, true script, and regular script. Evolved from the official script. After the Han Dynasty, the Three Kingdoms, the Wei, Jin and the Southern and Northern Dynasties, the art of Chinese calligraphy showed an unprecedented splendour. During the Tang Dynasty, many schools of calligraphy appeared, which had a great influence on later generations. The main tools of calligraphy are brush pen, ink, paper and inkstone.

 

鉴赏与心得（Appreciation）

    我临摹的是欧阳询的《九成宫醴泉铭》的文字。《九成宫醴泉铭》是欧阳询最著名的楷书作品，初学楷书的书法爱好者多会练习此作品。铭文记叙了“九成宫”的来历，主要歌颂了唐太宗的文治武功和节俭精神。铭文中还介绍了在九成宫内发现醴泉的经过，说明了醴泉的显现是由于天子的功德。欧阳询楷书平正险绝， 被称为“欧体”， 当世人称其楷书为唐人第一。“欧体”点画多中锋用笔，笔尖铺入笔毫之中，线条圆润有力，少有呆板而多活泼生动之气，于学习其他不同字体多有益处。《九成宫醴泉铭》结体修长，中宫收紧，四边开张，左敛右纵，化险为夷。字形随势赋形，左右结构作相背之势，上下结构上窄下宽，间架开阔稳定，气象庄严。其布白匀整，字距、行距疏朗，为九宫最准者。《九成宫醴泉铭》充分体现了欧阳询书法结构严谨、一丝不苟、圆润中见秀劲的特点，此碑书法，高华庄重，法度森严，笔画似方似圆，结构布置精严，上承下覆，左揖右让，无一处紊乱，无一笔松塌。

《九成宫醴泉铭》在风格构成上，同时具有篆书与隶书的笔意。我选择书法是因为书法是需要静下心来，才可以写好的。我选择欧阳询的作品进行鉴赏是因为他的楷书被称为唐人第一。而且刚学习书法的初学者大多数多会选择欧阳询的作品进行临摹。从这一点可以看出他的书法对后人有很大的影响。很幸运通过中华艺术这门课，让我有机会再接触书法。通过这门课，我对书法更有兴趣了。书法这门艺术是需要练习才可以练好的。因为时间的关系，还写得不是很好，但经过这次的机会，我会再继续练习书法，好好感受古人留下来的艺术。练习书法不但可以让字变漂亮，而且可以陶冶情操，书法是需要耐心和持久的坚持，因此在练习书法的同时，可以修心养性，这对于提高自己的素养，很有帮助。

 

I copied the text from Ou Yang Xun's "Jiu Cheng Gong Li Quan Ming ".  " Jiu Cheng Gong Li Quan Ming " is Ou Yang Xun's most famous regular script work, and most calligraphy lovers who are new to regular script will practice this text. The inscription narrates the origin of the "  Jiu Cheng Gong ", mainly praising the Tang Tai Zong's martial arts and thrifty spirit. The inscription also introduced the discovery of Li Quan in the Jiu Cheng Gong, indicating that Li Quan’s appearance was due to the merits of the emperor. Ou Yang Xun's regular script is very dangerous, and he is called "European style". People in the world called his regular script the number one in the Tang Dynasty. "European style" stippling is mostly used by the center, and the nib is laid into the pen. The lines are round and powerful, less dull but more lively and vivid, and it is more beneficial to learn other different fonts. "Jiu Cheng Gong Li Quan Ming " has a slender body, the middle palace is tightened, and the four sides are open. The font is shaped according to the situation, and the left and right structures are opposite to each other. The upper and lower structures are narrow and wide at the bottom. The frames are open and stable, and the weather is solemn. The cloth is evenly white, and the word spacing and line spacing are sparse, making it the most accurate one in the nine palaces. The "Jiu Cheng Gong Li Quan Ming " fully embodies the characteristics of Ou Yang Xun's calligraphy of rigorous structure, meticulousness, and sleekness. The calligraphy of this stele is high and solemn, with strict rules, strokes like squares and circles, and the structure is precise and inherited. Next, keep left and right, there is no disorder, no loose strokes. 

    "Jiu Cheng Gong Li Quan Ming" has both the seal script and the official script in terms of style composition. I choose calligraphy because calligraphy needs to be calm before you can write well. I chose Ou Yang Xun's works for appreciation because his regular script is known as the number one in the Tang Dynasty. And most of the beginners who are just learning calligraphy will choose Ou Yang Xun's works for copying. From this, we can see that his calligraphy has a great influence on future generations. Fortunately, through the course of Chinese Art, I have the opportunity to get in touch with calligraphy again. Through this course, I became more interested in calligraphy. The art of calligraphy requires practice. Because of time, I still didn't write very well, but after this opportunity, I will continue to practice calligraphy and feel the art left by the ancients. Practising calligraphy can not only make the characters beautiful but also cultivate the sentiment. Calligraphy requires patience and long-lasting persistence. Therefore, while practicing calligraphy, you can cultivate your heart, which is very helpful for improving your own quality.